Showing posts with label Joe Silvera. Show all posts
Showing posts with label Joe Silvera. Show all posts

Saturday, July 27, 2013

Answers to some Common Questions about Soldering


  • Sheet, wire and paste solder? When would I use one over the other?
More than anything, I think this is based on preference, especially with sheet or wire solder. I'm not a big fan of paste solders and how they work, nor of the fumes and toxins from the flux binders when they smoke and go airborne. Paste solders may still melt into a ball, once the flux burns off, but they can end up away from the join and make a mess. Otherwise, I prefer sheet solders for gold, since you can stamp the information on the sheet for karat, color and flow point. For sterling silver solder, I prefer wire, since I can cut it into ultra small chips or flatten it if I need sheet solder for tension or similar solder joins. Sheet and wire solder allow you to control the size and placement of solder in a way that can't be matched by paste, in my opinion, which is especially essential for cleanly soldering mixed metals. 
  • Why do I need a kiln brick? Can I just use a red brick I have in my backyard or a rock?
That's a good question and I can understand the confusion. A normal household variety brick is fire proof, but it's also a huge heat sink. Instead of helping, it will take heat away from the metal and it's pretty dirty, which can foul up the whole thing. Fire brick is used to make kilns, it's takes heat and amplifies it, making it easier to solder, and it's soft, which helps with positioning pieces for soldering. They may both have brick in their name, but they're completely different. Bonus: fire bricks are very light in comparison to building bricks. 
  • When do I use Easy, Medium and Hard solder? What is the difference?
Solders come in different melting points, called flow points, from high to low, or in jargon terms from hard to medium to easy. Using different temperature solders helps you fabricate more interesting jewelry, with lots of joins, without it falling apart or putting gaps in previous solder seams. Imagine trying to solder together a box with a stone setting. You can solder the walls together with hard solder, add a top and bottom with medium solder, and then attach jump rings and the stone setting with easy solder. The first, higher temperature hard solder joins won't open or fall apart as you add the rest of the pieces of the box with medium solder. When the setting is attached with easy solder, the medium and hard solder joins don't flow, preventing distortion or open seams. As you practice soldering and your skills improve, you'll spend more time using hard solder, until you're fabricating with only hard solder. One reason to prefer hard solder and use it as much as possible is the color. Hard solder has the least amount of additive to lower its flow point, so it matches sterling silver the best, making your joins almost invisible. 

  • When do I use Penny Brite and when do I use Pickle? What are the advantages of each?
Most jewelry studios use pickle to clean metal after soldering. It's easier and requires less scrubbing. Since natural, biodegradable pickles are now available for safe use at home, they're even safer and easier to use than more acidic pickles like Sparex. If after pickling there is still some residual firescale, you can use a brass brush or scotchbrite pad with soap and water, or Pennybrite to further clean the metal. But for my work flow, Pennybrite is just too labor intensive as a stand alone method for cleaning after soldering. Also, sometimes PennyBrite just won't get into the nooks and crannies of a more complicated design. Further, in cases of hard, baked on flux, the Pennybrite may not be able to remove the glass-like flux. You would have to soak the pieces in very hot water first, so you're basically pickling anyway.
  • Do the Jump Ring ends have to meet if I am soldering them together or will the solder fill the gap?
Solder doesn't like to fill gaps, and a "filled join" is weak and will break. For precious metal solders to work properly, the join must be completely closed. 

If the join is closed something very cool happens: the join will draw the fluid solder into the seam and into the metal, making a join so strong you could stretch a ring up to 2 sizes without it breaking! Why does it do this? When you heat the metal, it expands, creating a microscopic vacuum. That vacuum draws the solder into the seam when it flows, like a capillary action. No join - no vacuum. 

So, for example, if you're soldering a jump ring, and the join is not closed, the solder will just flow onto one end or the other, but not fill or close the ring. If you close the jump ring so that the ends of the join are touching and flush, then the solder will be drawn easily into the join. How can you tell if the jump ring is closed? Hold the join up to a low light source like a fluorescent light, and look through the join. If you see a line of light at the join, it's open. If you don't see any light, it's closed and ready to solder.
  • Can I use any kind of torch for soldering?
When you know how to solder, you can use just about any flame to solder, from plumbing blow torches to cooking torches, super hot oxygen/propane little torches to blow pipes and candles - no joke, in some countries, filigree is soldered with a candle flame and blow pipe to direct the heat. 

When I first learned how to solder in college, our only torch was a natural gas flame. It had a flame that was almost big enough for casting and we had to solder anything from tiny jump rings to bracelets with that flame. When you learn the art and craft of soldering, you learn how to adjust your torch for low and high heat, what distance you should be from the flame, where the hottest part of the flame is, etc. 

Now, of course, some torches are more ideal than others for soldering, but it depends on the material and the size of the job. If you have a big piece to solder and a small flame, you probably won't be able to heat the metal enough for the solder to flow. You need the right size flame for the job. For jump rings and simple wire pieces, a normal micro butane torch is fast and efficient. For bigger pieces like heavy gauge rings, larger settings, even bracelets, a large flame butane torch will cover more surface area and be able to heat the metal enough for the solder to flow. For gold, the same rules apply, so you can use butane torches with gold, but to really take advantage of the properties of gold, a oxy/propane little torch will let you solder faster and accurately. And let's face it, if you're soldering gold, you probably want the nicest toys to work with, right? 

For a free video on how to set up to solder safely at home, visit SilveraJewelry.com.
  • How do I put the butane in the torch? 
Most butane torches will come with instructions for refueling and you should read those carefully - not just for refueling but also for how to light and safely use the torch. That said, a lot of butane torches refuel in the same way. First, your butane should be premium quality, the best you can afford. Cheap butane is greasy and can clog your torch. Make sure the nozzle on the butane canister fits the nozzle on your torch (on the bottom of the torch is a small recessed nipple that fits the nozzle for refueling). 


Interested in learning how to solder and getting some help? We have lots of classes in jewelry making, including casting, stone setting and working with gold at Silvera Jewelry School, in Berkeley, CA. Browse our calendar of classes today.


Tuesday, February 26, 2013

How to Make an Easy and Safe Torch Station

Using a torch in a studio is easy. Especially butane torches. Check out these free videos I made with Beaducation on how to use a butane torch and how to set up to work with a torch at home.

But what if you want to use a bigger torch, like an acetylene torch? Larger torches are great for annealing, soldering bigger pieces like bracelets, and for melting your scrap into ingots. With the larger, hotter flame comes more need for safety. But with around $50 worth of simple parts from a hardware store and about 30 minutes or less of effort, you can make a fire resistant torch station.


Supplies

This torch station I made for our studio at Silvera Jewelry School is made up of simple red house bricks, and 3 sheets of thin gauge sheet steel (18 gauge). How many bricks? That depends on how big of an area you want to enclose. The average brick is 8x4x2.25 inches. For my set up, I used about 12 bricks for the base, and another 16-18 bricks for the partial wall around the firing area. The sheets of steel were about 12x18".


Make a Torch Station

I made my torch station on a counter top for working with the torch while standing. I placed 2 sheets of steel on the table top, to protect the surface from the bricks. I laid out 12 bricks on top for floor of the torch station.



Next I put another sheet of steel on top of the brick base. This not only is extra protection while using the torch, but helps to keep small bits of metal from falling between bricks!




Then I started building a partial wall around the sides. The wall is higher in back and slopes down towards the front on the sides. This helps to protect everything around you from the flame as your working inside the wall of bricks. The weight of the bricks keeps them in place, but if you're working in a place that is mad for earthquakes, you could think about gluing the whole set up together with mortar. I put a large solder board or kiln shelf on top of the sheet metal. Working directly on the steel can warp it and compromise the work area. It's better to work on a solder safe board or annealing pan with pumice.



What about ventilation?

Working with a torch can create some fumes, especially from fluxes when heated. Fluxes can release chemicals, like fluorides, which can be harmful after frequent exposures. Having plenty of ventilation and circulation of air around your torch station is recommended. Installing a simple hood or even some ducting connected to a fan in a window can draw those fumes away from you. If in doubt about your ventilation, use a lightweight respirator to protect your lungs. You only have two of them!

Also, before using a tank torch, like a propane or acetylene, be sure to read, follow and understand all the instructions for safe set up and use. Secure the tank to something heavy so they don't fall down. Always play safely with fire, like setting up a safe work area.

Sunday, July 8, 2012

Make your own custom jewelry with Lost Wax Casting

What is lost wax casting?

Lost wax casting is a great technique for making original and interesting jewelry components. Lots of jewelers use it to produce their own designs. The best part is you can use your original model to subcontract some of the work for your jewelry by having a caster cast and polish your pieces for you.


The process is simple. In a nutshell, you create a wax model of your design. That wax model is set inside a steel flask and covered with plaster investment, leaving a funnel and tunnel to reach the wax through the hardened plaster. The flask is put into a kiln and the wax is "lost" as it's burned out of the flask. The flask is placed in a casting machine and the void left behind in the plaster is filled with molten metal. To see the process from spruing the wax through casting, watch this little video I've made. You may need the QuickTime plugin for Mac or PC to view the video.

5 Reasons to Cast your own Designs

1) Design your own original clasps, charms and jewelry to match your style and vision. If you are creative enough to make jewelry, you've probably already had dozens of ideas for parts you wish you could buy. Make them for yourself. Stand apart from other jewelers.


2) Add name recognition to your jewelry with a beautiful custom tag with your name or logo. Let them know when they have one of your original designs and make it clear and beautiful.


3) Design your own line of jewelry with a few unique pieces. It doesn't take a lot to get started, maybe as few as a half a dozen models. If you design them to mix well, you can create lots of variations and a distinctive line of your own original jewelry.

4) Stop using the same findings as other designers! Do you know how many jewelers are out there competing for the same customers? Half of most vendors at craft shows are jewelers. Stand apart right away from most of the pack with your own original designs, unique to you and your line.

5) Cast the same design in the metal of your choice: sterling, bronze, gold. You can stretch your investment, and lower costs by casting in a variety of metals, from the same wax model and the same mold.

Leverage your time and save money with Lost Wax
Every designer struggles with how to define their work, how to express themselves through their creations. The lost wax technique gives you a whole different level of freedom for bringing your ideas to life. In wax, you can sculpt and build up forms that would be almost impossible by regular soldering and fabrication techniques. The tools you need to make wax models are simple and home friendly. You can outsource the labor intensive casting, molding and reproduction to another company that can do the work for you in a fraction of the time. 
And if you're selling your jewelry, this technique can leverage your time. While you're working on shows, new designs, and all the rest you have to do to make it as a jeweler, your pieces are being cast and polished by professionals. All you have to do is tag it or assemble it into great jewelry. Plus, by subcontracting the casting, you can fix the price of labor and materials for your pieces, which helps you with your bottom line. 


What can you make with Lost Wax Casting?


Make your own custom clasps, like a hook and eye, s-hook, or toggle set. Add your own style to make an original piece for your jewelry. You can even base your clasp on your logo or favorite image. Like this toggle clasp based on the logo for my jewelry line, BoneJour, of a flower and bone.
Make your own charms, pendants, rings, earrings, etc. Start a new line with a few pieces of your own, like this seahorse charm I made for a client years ago. This piece was in the same style as his artwork and was part of a whole line of different charms.

Make a custom tag with your name or logo. Sure you can stamp a flat tag, but everyone has one of those. What if your jewelry came with a beautiful tag that reflected your designs? Then your customers will recognize your work right away. And a good tag adds value to your designs.

The only limit is your imagination. A lot of what you see in catalogs and stores has been cast. Casting your parts not only adds originality and value to your jewelry, it can save you time. If you fabricate some of your parts for your jewelry, you could save time by having them cast for you instead.

Learn Lost Wax Casting and Wax Carving
Learn all you need to know to get started with this great technique at the Silvera Jewelry School, in Berkeley, CA. 
The first class, Lost Wax Casting, teaches you about the casting process, about outsourcing your casting to casters, and most importantly, introduces you to the basic techniques for making your own wax models - carving, build up, polishing, etc. Students will even learn how to polish their finished casting during the workshop. 
Continue learning more about wax work with our follow up workshops, like Figurative Wax Carving, and Lost Wax Stone Setting. 
Figurative Wax Carving
Lost Wax Stone Setting

Post your questions about lost wax casting here, if you like. I'd be happy to help. 


Wednesday, April 25, 2012

Author Interview with Joe Silvera



This is a video interview I did with my publisher, Kalmbach books, about writing Soldering Made Simple: Easy Techniques for Kitchen Table Jewelers. 

The video is part of their Meet the Author series. In the interview, I talk about the inspiration and goals for my book, but more importantly, there are lots of previews of pages, illustrations and diagrams from my soldering book. 

The chatter in the background is from the author event at Bead & Button. Lots of authors and such talking and sharing stories. There is also some fun film of the Meet the Teachers event at Bead & Button, from demonstrations during the show, and from classes I taught at the same event.

All in all, it's a sweet short video and especially helpful if you'd like to get to know more about my book, Soldering Made Simple: Easy Techniques for Kitchen Table Jewelers

To find out more about our jewelry classes in soldering, stone setting, lost wax and more, visit SilveraJewelry.com. Our classroom at Silvera Jewelry School in Berkeley is fully equipped. Each student has a jewelry bench and tools to use during class. Most classes include all materials for no additional fee. And techniques taught are home studio friendly so that you can continue making jewelry at home. 

Hope you like the video!