Wednesday, April 25, 2012

Author Interview with Joe Silvera



This is a video interview I did with my publisher, Kalmbach books, about writing Soldering Made Simple: Easy Techniques for Kitchen Table Jewelers. 

The video is part of their Meet the Author series. In the interview, I talk about the inspiration and goals for my book, but more importantly, there are lots of previews of pages, illustrations and diagrams from my soldering book. 

The chatter in the background is from the author event at Bead & Button. Lots of authors and such talking and sharing stories. There is also some fun film of the Meet the Teachers event at Bead & Button, from demonstrations during the show, and from classes I taught at the same event.

All in all, it's a sweet short video and especially helpful if you'd like to get to know more about my book, Soldering Made Simple: Easy Techniques for Kitchen Table Jewelers. 

To find out more about our jewelry classes in soldering, stone setting, lost wax and more, visit SilveraJewelry.com. Our classroom at Silvera Jewelry School in Berkeley is fully equipped. Each student has a jewelry bench and tools to use during class. Most classes include all materials for no additional fee. And techniques taught are home studio friendly so that you can continue making jewelry at home. 

Hope you like the video!

Friday, April 13, 2012

Watch a Bezel Setting Demo on Video with Joe Silvera

You can watch a free video about how to make a bezel setting with Joe Silvera, as part of my guest appearance on Jewel School. It's in two parts.



This was shot after my guest appearance on Jewel School to promote my book and dvd, Soldering Made Simple. It gives you the highlights of how to make a bezel setting. I rattled on for about 2 hours at least on film, so this is edited down to the essentials.

My favorite thing; the split screen on soldering to see soldering from above and below to put the bezel onto the sheet metal. My favorite laughs: I don't know, maybe it was my video player, but my voice seemed way out of sync with some segments - which makes me look like a dubbed kung fu movie actor. I like to turn the sound down and just make up what I'm saying. Like: "Hmm, you killed my brother. Now I will solder you into a setting with my jewelry monkey style. Hyahhh!" Okay, I need to get out more, but how often can you make fun of yourself on video?

Hope you like it! Want to learn how to set stones? Try our Stone Setting Suite Retreat, coming up in May at Silvera Jewelry School.

Thursday, April 5, 2012

New Summer Jewelry Workshops at Silvera Jewelry School


I just posted new summer workshop dates at SilveraJewelry.com, including lots of new classes in wax carving, like Lost Wax: Figurative Wax Carving, shown above.

Check out this 2-day workshop and more at Silvera Jewelry School.

Organize: Samples of your Enamel Colors



This post is about a recent moment of organizational genius that my wife Anat had in her enameling studio.

This sample board holds sample firings of some of the colors she uses. Each sample was fired on a uniform size penny (pre-1980) with a large hole punched in it.

The samples are hung on hooks on a board painted a simple white. Each sample is labeled with it's color and number. The labels were typed up on a document and then printed, cut out and taped onto the board - less expensive than using a label maker.

Anat measured the pennies and divided that into the length of the board to figure out the spacing for each row. She marked the locations for the hooks and made holes before painting. Then she painted the board and screwed in the brass hooks - find a size with a gauge that matches the hole.

And it's a beautiful solution! So pretty how they hang and catch the light. It makes it so easy to see the colors to choose for a project, even to take them off the hooks to compare side by side. My suggestion, as an organizational freak, is to label the back of each sample with its matching number, with a label machine, to make putting them back simple to do.

How do you organize your enamels or colors for your medium?

Tuesday, February 28, 2012

Organize your sandpaper and metal

If you're like me, then organization in the studio is something that you need, desire and lust after, and that only happens when you can finally conjure some time to tackle it - in other words, set aside the million items screaming for attention on your to do list for an hour and procrastinate with something else.

Not that organizing isn't a worthy activity. Lack of organization - searching everywhere and repetitively for the same supplies lost in the labyrinth of cupboards and boxes, over and over again - just eats up time in a very noticeable way. But it tends to take a back burner to more urgent, money making activities, like making jewelry. Even though a lack of organization adds to the time it takes to make something, thus costing more minutes of labor tacked on to every task.

Not so this week! Ha ha! I finally tackled a project that has been devouring time for a couple of years. I emptied my sandpaper boxes and reorganized them into a filing system. So simple. So alphabetical. So easy to find my sandpaper - and back stock that I forgot I had (i.e., couldn't find in the studio mess).

My solution? I found these simple manila folders that are closed on three sides, called file jackets. They fit into a handy open top file box and I can label each folder with the grit. Plus keeping them separated prevents cross contamination - in other words, I'm not getting 220 grit bits on my 320 grit papers from unauthorized canoodling in the bin. The jackets have an advantage over the open folders in that I can put in left over small pieces too - they're still good, handy for polishing and won't fall out of the folders.


It was so simple. Sandpaper is letter paper size, so it fits perfectly into these folders. There are even pocket folders available that expand to 1" wide or more for popular grits.


And it didn't take very long to do. In fact, I was so inspired, I jumped into the deep end of the procrastination pond and reorganized my metal cabinet using the same filing system. My metal has been hard to sort through, and made filling kits for classes a deja vu nightmare rerun. Gee, am I trying to say, that I was searching for the same metal every couple of weeks? Yup. Not any more!


Type of metal on the left. Form of metal on the right. So, I alphabetize it first by metal (argentium, brass, copper, etc.), then by form (sheet, solder, wire), and then by gauge or other pertinent sub-information. Of course, if you can read my writing in the photo, you can see it's still a bit of a jumble alphabetically in the bins, but that's the beauty of it! If I just keep up with part of it, like all the sterling is in the same place, then I can still quickly flip through the folders and find what I'm looking for. And again, the folders help to prevent scratches, loss, etc.

Even better - because my metal now has an obvious home to go back to, it stays organized. My rule for organizing: if it has a home to go to, it's easier to get organized. If not, it sort of drifts around the bench, counters and cupboards with no clear destination.

My previous systems for this? Up-cycled film canisters for wire, sheet, sterling, etc. but everything inside was a stack of bits and pieces and had to be resorted/found by gauge over and over. Once it's filed in this bin system, then I know metal, form and gauge. My other system? Binders with sheet protectors or plastic pockets. Which had the advantage of being able to be seen through the plastic sheets and flipped through, but the heavy metal just ate up even the heaviest weight sheets.

Want an even prettier system? Try these folders and boxes from the Container Store. Although, I'd still use the file jackets to keep my metal from falling out and into the bottom of the box.


For big pieces of metal (6x12), I use legal size file jackets and a matching file box. My 12x12" plates still have to sit in the cupboard. Just too big, but I suppose I could use a scrapbook folder or box to hold those too.... Off to the next project! Hope this helps to inspire your studio organization projects. Please share your solutions.



Friday, February 10, 2012

We moved to a new studio! It's bigger, full of light and we love it!


We've moved the Silvera Jewelry School into a new, bigger, spacious, gorgeous space for our jewelry school! We've expanded from 500 square feet to over 900. We're now on the corner of Virginia Street and San Pablo Avenue in Berkeley.

What does that mean for students and classes? Well, check this out: more room to walk around. We've increased the space around the benches to make it easier to get around your work space. There are more separate work areas for polishing, casting, photography, etc. There's a lounge area away from the benches where you can sit on a couch, sit and eat at tables, and help yourself to coffee, fruit, snacks, etc. We have a bigger area for supplies: metalsmithing tools, books, dvds, jewelry.

The space has high ceilings and sky lights, so that 900 square feet feels like 1500. And it was so nice to see the students at our first retreat in the new space (Art of Soldering, sold out!) sitting and mingling in the "lounge" before class. What a beautiful sight to behold.

We're so much closer to amenities like hotels (the Golden Bear Inn is right across the street), Enterprise Rental car is also across the street, cafes (Cafe Fanny, Acme Bread, Cafe Leila and more, all in walking distance. And we're a 10 minute walk from the North Berkeley BART station.

The school is unpacked and back in business, but we're still settling in to the new space. Here are some pics of the space as it's coming along, including photos of our students from the Art of Soldering workshop. More at Flickr.































Tuesday, December 13, 2011

New photos of student work online



Finally got off my butt and posted some pics of great work by my students - from class and outside class. You can find them on my Flickr page. Hope you enjoy them!